The Menokin Foundation and some architects have hatched a bold plan to restore the 18th-century home of Francis Lightfoot Lee using structural glass--something that has never been done before.

by Erin Parkhurst

1/17/11 11:35 AM

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History Under Glass

Rendering by Dewhurst MacFarlane and Partners

A 3-D rendering of how the glass house will eventually look

In a serene corner of Richmond County, what is left of Menokin—the 240-year-old home of Virginia statesman and signer of the Declaration of Independence, Francis Lightfoot Lee—waits for its second act to begin. Uninhabited for more than 50 years, the house—once a fine example of 18th century Georgian architecture—has been reduced to near rubble. Only two original walls and parts of two chimneys remain standing.

The place represents a perfect opportunity for a typical historic renovation—paint, plaster and the carefully researched arrangement of pristine period antiques—but that is not in the offing for this National Historic Landmark. There is a much more ambitious plan in the works—one that involves preserving the story of Menokin’s construction through the innovative use of structural glass. If this pioneering restoration effort succeeds, the once-moribund house will be transformed into an architectural teaching hospital of sorts—the first in the U.S. of its kind. Structural glass will recreate missing floors, walls and roof, and be combined with the extant structure to form a skeleton for reintroducing thousands of architectural elements extracted and carefully conserved over the decades as the building has deteriorated. “It’s an extraordinary concept,” says David Woodcock, professor of architecture and director emeritus of the Center for Heritage Conservation at Texas A&M University, who chairs the Menokin Foundation’s advisory committee.

Matthew Webster, architectural conservator and manager of architectural collections for the Colonial Williamsburg Foundation, and another member of Menokin’s advisory committee, explains why: “If you were to reconstruct the house, you’d cover up some of the most interesting stuff,” he says. “[With glass] we can actually see how an 18th century building comes together.”

A preliminary construction study completed in 2007, funded by the Bryant Foundation in Stephens City, confirmed the glass house concept is feasible. But innovation on this scale presents a number of challenges, including the need to raise millions of dollars and marshal support from individual donors as well as foundations and government funding sources—and that is no easy task. While the foundation’s supporters are optimistic, there is no timetable yet for turning the concept into reality, and indeed, many stakeholders say the project is likely to take many years to complete.

Still, the opportunity is significant. The glass-house concept offers not just a chance to rescue a threatened historic Virginia landmark, say its advocates, but also a chance to position Menokin at the tip of the spear in the architectural preservation world. Woodcock says the glass house will make Menokin a “prime location” to experience 18th century building techniques. And that’s not all. As Calder Loth, the former senior architectural historian at the Virginia Department of Historic Resources and honorary Menokin Foundation trustee explains, the success of the glass house project could also mean that other buildings like Menokin, whose original fabric is on the brink of destruction, may no longer be considered hopeless.

The Menokin Foundation and some architects have hatched a bold plan to restore the 18th-century home of Francis Lightfoot Lee using structural glass--something that has never been done before.

by Erin Parkhurst

1/17/11 11:35 AM

Latest Comments

  • Innovation AND Restoration

    Fantastic article - a brilliant showcase of two centuries bridged together by history and enabled by innovative uses of technology. What an incredible way to envision the 'future' and learn from the past. This IS Virginia's heritage!

    Posted by E Burwell WS January 26, 2011 19:18:02

  • Bravo

    There's something poetic about mixing historic and contemporary materials to create a dynamic new structure that benefits from both--the grounding of the distant past and the vision and muscle of the modern. Being able to visually identify the gaps that time has carved into the structure adds to our appreciation of its long life, and interacting with the new contemporary structure that now frames the site invites us in to enjoy it on our own terms. Bravo.

    Posted by Doug C January 20, 2011 13:49:28

  • refreshing

    So much preservation seems about absolute authenticity at the cost of accessibility or general interest. How much better is it to find a way to both preserve an historic site and give new life to it. The idea outlined here for Menokin is so innovative, modern and thoughtful -- love it! Can't wait to visit the house 10 years from now.

    Posted by Tom C January 20, 2011 13:20:01

  • Gorgeous and inspired

    I am thankful for those who seek to preserve the past and integrate it into our present; it looks like a work of art in progress. Kudos, Ms. Dillard!

    Posted by Laurie S. January 20, 2011 12:55:57

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